köken: From Proto-Turkic *kȫk (“blue, green, 'macro-blue'; sky”). In Ancient Turkic, this archetype seems to have had a wide semantics of "blue + green + similar shades", partially retained in modern languages.
form (one of the ways in which something appears; appearance; manifestation) · form (way in which a work is constructed) · form (specific type of works of art perceived due to their external structure or structure and a set of typical artistic means)
köken: Inherited from Vulgar Latin *muccicālium, from Latin muccidus, the same source as muced (“moldy, fusty”). Formed similarly to putregai. Compare Italian moccicaglia.
köken: From Proto-Italic *homos, from earlier *xomos, ultimately from *dʰéǵʰōm (“earth”). De Vaan suggests that the o-stem emerged in Latin on the basis of the ambiguous locative form humī, itself from earlier *homei, from Proto-Indo-European *ǵʰémi. Alternatively, Sihler reconstructs a seperate Proto-Indo-European adjective of the shape *dʰǵʰomós. Cognates include Sanskrit क्ष (kṣa), Ancient Greek χθών…
aile: humilis, humō
[Triptolemus] prīmus arābit et seret et culta praemia tollet humō
köken: Compound of mel + dug, after German Mehltau.
Etimoloji
From Byzantine Greek μοῦχλα (moûkhla, “mould”), borrowed from (Western?) Aramaic מוּגְלָא / ܡܘܓܠܐ (muḡlā) (“pus, water under a blister”; in the usually attested Eastern language forms instead not actually recorded as “mould”, apparently then transferred from an idea of “damaging liquid”), when also around the same time Middle Armenian forms the compound մգլահոտ (mglahot, “smelling like mould;…